Print Production
My production of B&W prints is quite limited. Contrary to what one might expect, exhibit-quality prints cannot be mass produced. Each print must be done individually by hand.
During the course of a darkroom session I normally produce a duplicate print so that, if the primary print is damaged or ruined during processing, matting, or dry-mounting, I have a back-up to use. This means that, generally speaking, there are only two production prints made per negative per darkroom session.
Print Processing
There are several steps involved in the production of exhibit-quality B&W prints. A summary of these steps is provided below:
- Clean Negative and Glass Carrier
 - Place Negative in Enlarger
 - Determine Appropriate Size
 - Select Orientation and Crop Image
 - Adjust Focus with Grain Magnifier
 - Analyze Highlight and Shadow Areas
 - Select Initial Paper Grade or Filter
 - Stop Down Lens
 - Set Timer & Place Paper on Easel
 - Expose Test Strip
 - Develop Test Strip
 - Repeat Steps 9 through 11
(Until a Base Exposure Has Been Determined) - Set Timer & Load Paper in Easel
 - Expose Work Print
 - Develop Work Print
 - Repeat Steps 13 through 15
(Until the Previsualized Result Is Achieved) - Set Timer & Load Paper in Easel
 - Expose Final Version of Print
 - Develop Final Version of Print
 - Repeat Steps 17 through 19
(To Produce a "Backup" Print) - Place "Final" & "Backup" Prints in Wash
 - Open Lens & Go Back to Step 1